Website for artists & DJs
The one address you own. Not the profile you are borrowing.
Artists do not get booked through "DJ near me". Someone hears the name at an event, from a colleague or through a playlist, and searches for it. What shows up then decides whether the enquiry happens. That is what we build for: a presence site that gets found cleanly under your name, gathers everything in one place, and gives promoters what they need in thirty seconds.
Why profiles alone fall short
Four things that are not yours on someone else's platform.
Instagram, Spotify and SoundCloud are good channels. They are channels, though, not an address. The difference gets expensive exactly when someone wants to book you properly.
The name is not yours
Anyone searching your artist name lands on profiles sitting between ads and other people's suggestions. You control neither the order nor what appears beside you.
No clear booking route
Promoters look for availability, a technical rider, press photos and one address to send the enquiry to. In a direct message between fan comments, that gets lost.
Everything scattered
Mixes on one platform, releases on the next, gigs in stories that vanish after 24 hours. Nobody assembles that for themselves in order to book you.
The rules change without you
Reach, formats and visibility are decided elsewhere. A site of your own is the part of your presence no platform decision can take away.
What is included
A calling card that works.
Deliberately lean. No inflated structure, no pages nobody reads. What a promoter and an interested listener actually need, and no more.
A bio that holds up
Who you are, what you play, where you have played. Evidenced rather than claimed, at a length people actually read.
Gigs and stages
Stages, festivals, support slots and residencies in one place, instead of scattered across stories and old posts.
Music embedded
Mixes and releases directly on the page, linked to your profiles. Visitors listen without leaving the site.
Booking route
One unambiguous path to the enquiry, with the details promoters actually need. Not a contact form that goes nowhere.
Press and technical material
Photos, short bio and technical details to download. Saves the back-and-forth before the booking on both sides.
Fast, distinctive, GDPR-clean
Built statically, self-hosted fonts, no tracker before consent. A design that looks like you and not like a template.
A real example
Built with no brief, no copy and no finished images.
DJANE HOTSTUFF is a DJ from Lower Bavaria with over 20 years behind the decks, from the Superbloom stage in Munich to a village festival in the district. There was no brief, no prepared copy and no edited images, only her public profiles. From those we researched and sourced her career and gigs and built a site that reads as hers at first glance: a visual language in the spirit of real rave flyers instead of the same neon gradient everyone uses, and a structure that shows her full range instead of reducing her to one genre.
Honest framing: this site is freshly live. There are deliberately no ranking or reach numbers here, because reliable data builds over months. The proof today is the craft and the distinctive design, not a statistic.
When this is NOT for you
Three honest boundaries.
- You want to be found through local searches, for example as a wedding or event supplier with a fixed catchment area. Then this is too lean, and the right route runs through our industry approach with a local architecture.
- You expect the site itself to generate bookings. It does not. It makes sure interest can turn into an enquiry when someone searches your name. The demand is created on stage and through your music.
- You need social-media growth or playlist pitching. That is a different craft, and we would rather say no than fake it.
FAQ
Common questions.
The lean entry point for a presence site starts at 999 EUR at a fixed price and goes live in 1 to 3 weeks. That covers bio, gigs, music, press material and a clean booking route. If you need more, for example separate pages per project, a shop or multiple languages, you grow into the larger packages. The scope is fixed before the project starts, no open hourly model.
Those profiles are a tenancy. They do not belong to you, they show your competition next to your name, and their reach changes without anyone asking you. A site of your own is the one address you control: it collects every channel in one place, gives promoters the material they actually need, and survives when a platform changes its rules.
Deliberately not as the focus. That is generally not how artists get booked. The usual path is: someone hears the name at an event, from a colleague or through a playlist, and then searches for it. So we optimise for being found cleanly under your own name and for the first impression holding up. If you sell a classic local service, our industry approach is the better fit.
That is the normal case and not a blocker. For DJANE HOTSTUFF there was no brief, no prepared copy and no edited images, only her public profiles. We researched and sourced her career and gigs from those and built the site from it. What we cannot evidence, we do not claim.
A presence site is live in 1 to 3 weeks once material and sign-offs are in. The bigger effort is usually not the build, but gathering image rights, gig dates and the question of who should be booking you.
An address of your own?
Tell us where you play. We will tell you what the site has to do.
In the call we work out who should be booking you, what material exists and what realistically belongs in scope. You leave with a clear assessment, even if we do not end up working together.
Get in touch
Send us a quick message.
Two-line brief, real reply within a working day. Or use the full enquiry form on the contact page.