Presence site
€999
fixed price, live in one to three weeks
- Bio, gigs, music, booking
- Press and tech material
- Static, fast, privacy-clean
Website for artists and DJs The one address you own.
Artists get found under their own name, not through local searches. A presence site that gives promoters what they need in thirty seconds.
Six parts of a business card that works.
Deliberately lean. What a promoter and an interested listener actually need, and nothing more.
A bio that holds up
Who you are, what you play, where you have played. Documented rather than claimed, at a length people actually read.
Gigs and milestones
Stages, festivals, support slots and residencies in one place instead of scattered across stories and old posts.
Music embedded
Mixes and releases right on the page, linked to your profiles. Visitors can listen without leaving the site.
Booking route
One clear path to an enquiry, with the details promoters actually need. Not a form that goes nowhere.
Press and tech material
Photos, short bio and technical details to download. Saves both sides the email exchange before a booking is confirmed.
Fast and privacy-clean
Statically built, self-hosted fonts, no tracker before consent. A design that looks like you rather than like a template.
What the presence site contains.
Live in one to three weeks once material and sign-offs are in.
Always included
- Bio, documented from public sources
- Gigs, stages and milestones
- Mixes and releases embedded
- Booking route with the necessary details
- Press and tech material to download
- Static build with self-hosted fonts
- An individual design rather than a template
When needed
- Research and write-up when no material exists
- A second language
- Dedicated pages per project or alias
- A dates or releases list you maintain yourself
- A shop or ticketing integration
Not included
- Building reach on social platforms
- Playlist pitching
- Local SEO architecture with location pages
- Photo production
Three things other platforms do not give you.
Instagram, Spotify and SoundCloud are good channels, but they are not an address. The difference gets expensive exactly when someone wants to book you properly.
Control over your own name
Anyone searching your artist name lands on profiles between ads and suggested accounts. You control neither the order nor what appears next to you.
A clear booking route
Promoters look for availability, a technical rider, press photos and one address for the enquiry. In a direct message between fan comments, that gets lost.
One place for everything
Mixes on one platform, releases on the next, gigs in stories that vanish after a day. Nobody pieces that together themselves in order to book you.
Built with no brief, no copy and no finished images.
DJane HotStuff is from Lower Bavaria and plays everything from the Superbloom stage in Munich to village fairs. All that existed were her public profiles, and from those we researched and documented her career and gigs.
Imagery from the scene
A design in the spirit of real rave flyers instead of the same neon gradient everyone uses. The site reads as hers at first glance, not as a template with the name swapped.
Structure by range
Festival stage and regional event sit side by side as equals. The site shows her full range instead of reducing her to one genre, so every kind of promoter finds what they need.
Why there are no numbers here
The site is meant to be found under the name, not through categories, and reliable search data takes months to build. The proof today is the craft. The site itself is linked on the proof page.
Start lean or build bigger straight away.
The scope is fixed before the project starts. No open-ended hourly model.
Multi-page website
from €3,900
fixed price, eight to twelve weeks
- Dedicated pages per project or alias
- A second language or shop integration
- Editorial upkeep possible
Strategy Call
€190
60 to 75 minutes, credited later
- Who should be booking you
- What material already exists
- What realistically belongs in scope
Three signals that it does not fit.
A presence site replaces neither the stage nor the reach.
- You want to be found through local searches, for example as a wedding or event supplier with a fixed catchment area. This is too lean for that, and local architecture is the right route.
- You expect the site itself to generate bookings. It makes sure interest can turn into an enquiry. The demand comes from the stage and from your music.
- You need reach on social platforms or playlist pitching. That is a different craft.
Further reading.
- GDPR Mistakes on Websites: These 8 Issues Can Lead to Legal ActionThese 8 GDPR mistakes are common on SME websites and can trigger legal warnings. Directly, without legal jargon, with a clear explanation of the risk and what to do about it.
- Web agency checklist: 12 questions before you hireMost expensive website mistakes happen not during the build but when choosing the agency. These 12 questions go before the signature, not after. They separate the agencies that deliver from the ones that only sell.
- SEO for AI Search 2026: What Business Websites NeedSEO for AI search is not a trick layer. Business websites need clear architecture, technical access, proof, internal links and measurable inquiry paths.
Patrick SosathFounder of seosath, responsible for strategy, code and SEO
From the first call to the reporting you deal with the same person. No hand-off to a junior team, no account management in between.
Common questions about the artist website.
What does a website for artists or DJs cost?
The presence site costs €999 net at a fixed price and is live in one to three weeks. That covers bio, gigs, music, press material and a clean booking route. If you need pages per project, a shop or several languages, you move into the larger package.
I have Instagram, Spotify and SoundCloud. Why a site of my own?
Those profiles are rented. They are not yours, they show competitors next to your name, and their reach changes without asking you. Your own site keeps everything at one address that survives a platform changing its rules.
Do you optimise for searches like DJ near me?
Deliberately not as the focus. That is not usually how artists get booked. The normal path is that someone hears the name at an event, from a colleague or through a playlist and then searches for it. So we optimise for your own name and the first impression.
I have no copy and no professional photos.
That is the normal case and no obstacle. We research career, gigs and milestones from your public profiles, document them and build the site from that. Anything that cannot be documented does not go on the page.
How long does it take?
A presence site is live in one to three weeks once material and sign-offs are in. The bigger effort is usually not the build but gathering image rights and gig dates.
Tell us where you play. We will say what the site has to do.
In the call we settle who should be booking you, what material exists and what realistically belongs in the scope.
Reply within one working day. 60 to 75 minutes, €190, credited against your project fee.